I’m working on a new print of the Mexican Venus, concentrating on bright saturated color.
A Mexican Venus from the Late Preclassic era.
This is 2 separate prints stitched together in Photoshop.
Mono print hand cut stencil of Ephesus, Turkish mother goddess.
At Ephesus in Ionia, Turkey, her temple became one of the Seven Wonders of the World. It was probably the best known center of her worship except for Delos. There the Lady whom the Ionians associated with Artemis through interpretatio graeca was worshipped primarily as a mother goddess, akin to the Phrygian goddess Cybele, in an ancient sanctuary where her cult image depicted the “Lady of Ephesus” adorned with multiple rounded breast-like protuberances on her chest. They have been variously interpreted as multiple accessory breasts, as eggs, grapes, acorns, or even bull testes. Excavation at the site of the Artemision in 1987–88 identified a multitude of tear-shaped amber beads that had adorned the ancient wooden cult image or xoanon. In Acts of the Apostles, Ephesian metalsmiths who felt threatened by Saint Paul’s preaching of Christianity, jealously rioted in her defense, shouting “Great is Artemis of the Ephesians!” Of the 121 columns of her temple, only one composite, made up of fragments, still stands as a marker of the temple’s location. The rest were used for making churches, roads, and forts.
I had an itch to do a mono print, so I created this one based on Venus Willendorf.
I’m close to done on this painting of the silos and tree under the Pratt overpass at 2nd Ave.
I’ll put it aside and reassess after focusing on the next piece . . .
On the southeast corner of 2nd and Pratt Parkway, next to the overpass.
These silos have been abandoned for many years, and are the survivors of a fire that destroyed a large building to the left of the silos. They will not survive the continuing economic boom in Longmont; another brew pub opened across the street.